by Sarah Salovaara
in Cinematography, Directing, Filmmaker Videos, Filmmaking on Oct 2, 2014
While the gender politics behind David Fincher’s much-anticipated Gone Girl adaptation may be muddled, the “dark lord of cinema”‘s direction is as crystalline and precise as ever. Tony Zhou, in his latest Every Frame A Painting,
examines how Fincher manages to make even the most expository exchanges
cinematic by using framing to relate character dynamics. He also takes a
close look at Fincher’s faithfulness to the tripod, sparing use of
close-ups, and almost inhuman camera movements. It’s a must watch for
anyone who values the abilities of visual language.
http://filmmakermagazine.com/87750-watch-breaking-down-david-finchers-directorial-techniques/