Current Projects

Current Projects

Sex and Assassins - Feature Film

Sex and Assassins - Feature Film

Sex and Assassins

Sex and Assassins is SSP's first feature film. Currently completing post-production. A wacky comedy about a struggling writer and his muse trying to prove that he's not a bum-slut-bitch. Starring talent Jacob Bruce and Christine Huddle. Film Festival bound for 2017 and 2018.

Drown

Drown

Drown

A thriller short film about a young woman who's getting video messages of herself drowning. Currently being submitted to Film Festivals for 2017 and 2018.

"Miles" - Comedy TV Pilot

Monday, July 21, 2014

INSIDER INTERVIEW: Screenwriter Jeff Howard on PLANES: FIRE & RESCUE

INSIDER INTERVIEWS
Written by Jenna Milly on July 15, 2014.
Screenwriter Jeff Howard is making quite a name for himself in the world of animation. He’s written two Tinker Bell movies, as well as The Pirate Fairy, the first Planes and Pixie Hollow Games.
But he wasn’t always part of the “story trust,” as it’s called at Disney, now that they’ve adopted the Pixar story development process known as the “brain trust.” The story trust is a group of writers, directors, animators and basically anyone with an opinion on the movie. They all get together with the adopted philosophy “none of us is as smart as all of us.”
With that, the sequel to the first Planes movie was developed. Planes: Fire & Rescue brings about the return of the character of Dusty Crophopper on a new adventure, one where he trains to become a fire and rescue airplane.
Howard discusses the challenges of getting all the details just right. He and some of his “story trust” coworkers visited national parks and ranger stations to learn about aircraft and fires. What they soon discovered is that these planes are often repurposed and in a sense, getting a “second chance” at life. When they found that, they found their story for the sequel.
ScreenwritingU sat down with Howard to get the skinny on how he works with the “story trust” and what it’s like for newcomers who want to break in. Although it might seem like the holy grail of writing opportunities, the easiest way to get noticed is to have a passion for storytelling.
MORE...

Actor Michael Dean Grulli

 Actor Michael Dean Grulli played the character "Miles" in the TV Pilot MILES.

Thursday, July 17, 2014

Beau Willimon’s House of Cards

 Screenwriter Beau Willimon, the creative force behind Netflix's House of Cards, a revolutionary show that has transformed Netflix into a TV network, talks about his groundbreaking work as creator and showrunner of the series and gives tips for writers who want to follow in his footsteps 

by W. H. Bourne

“About three and a half years ago, I got a call from my agent saying David Fincher wanted to speak with me about House of Cards, says writer and executive producer Beau Willimon. “I had heard of the BBC mini series, but I never watched it so I figured it was a pretty good excuse to take a look at it. As I watched it, I immediately fell in love with it, and I had numerous ideas about how to make it look contemporary, American and, most importantly, make it our own. I got on the phone with Fincher, and we talked about all sorts of ideas and our instincts aligned so we decided to team up and get to work. After that I spent almost a year working on the first episode, and when we had something that we were all pleased with, we got Kevin Spacey and Robin Wright on board. Then we went out and found a home for it which happened to be Netflix.”
House of Cards has been a game changer for Netflix as well as a key influence on how original Internet programming is viewed. House of Cards is currently nominated for nine Primetime Emmy Awards including Outstanding Drama Series. In light of this, it’s fascinating to hear how the project came about. MORE...

Wednesday, July 2, 2014

Plot Construction Using Reverse Cause and Effect

Use this tool to discover what’s necessary, or central, to the spine of your story

by Jeffrey Kitchen
Reverse Cause and Effect is a unique development tool that enables you to wade into a complex mix of story material and pull it together into a tight sequence of events. Cause and effect is a crucial part of good screenwriting because Plot Point A should cause Plot Point B which causes Plot Point C, and so on through to the ending. If each event causes the next one, then your script has a crisp forward motion, with no dead spots that can lose an audience. Used properly, this tool has the power to consistently help turn your million dollar ideas into salable screenplays. I’ll explain the tool, show how it works in Ben Affleck’s Argo, and then structure and develop an original story so you can see it in action.

The main skill in using Reverse Cause and Effect is to be able to distinguish that which caused an event from those events that merely came before it. Say that your sister calls you one morning and orders you to buy a lottery ticket because she had this incredible dream, and when you do so you win a boatload of money. Now any number of things might happen before you win the money—you lose your car keys, you buy some cigarettes, you get a parking ticket—but the cause of you winning is that your sister made you do it. MORE...

"One Way Ticket" Award Winning Short Film

"One Way Ticket" from Scrawny Strange on Vimeo.
CoStarring LETICIA MARTINEZ