INSIDER INTERVIEWS
Written by Jenna Milly on July 15, 2014.
Screenwriter Jeff Howard is making quite a name for himself in the world of animation. He’s written two Tinker Bell movies, as well as The Pirate Fairy, the first Planes and Pixie Hollow Games.
But he wasn’t always part of the “story trust,” as it’s called at
Disney, now that they’ve adopted the Pixar story development process
known as the “brain trust.” The story trust is a group of writers,
directors, animators and basically anyone with an opinion on the movie.
They all get together with the adopted philosophy “none of us is as
smart as all of us.”
With that, the sequel to the first Planes movie was developed. Planes: Fire & Rescue brings
about the return of the character of Dusty Crophopper on a new
adventure, one where he trains to become a fire and rescue airplane.
Howard discusses the challenges of getting all the details just
right. He and some of his “story trust” coworkers visited national parks
and ranger stations to learn about aircraft and fires. What they soon
discovered is that these planes are often repurposed and in a sense,
getting a “second chance” at life. When they found that, they found
their story for the sequel.
ScreenwritingU sat down with Howard to get the skinny on how he
works with the “story trust” and what it’s like for newcomers who want
to break in. Although it might seem like the holy grail of writing
opportunities, the easiest way to get noticed is to have a passion for
storytelling.
MORE...
Current Projects
Sex and Assassins - Feature Film
Sex and Assassins
Sex and Assassins is SSP's first feature film. Currently completing post-production. A wacky comedy about a struggling writer and his muse trying to prove that he's not a bum-slut-bitch. Starring talent Jacob Bruce and Christine Huddle. Film Festival bound for 2017 and 2018.
Drown
Drown
A thriller short film about a young woman who's getting video messages of herself drowning. Currently being submitted to Film Festivals for 2017 and 2018.
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"Miles" - Comedy TV Pilot
Monday, July 21, 2014
Actor Michael Dean Grulli
Actor Michael Dean Grulli played the character "Miles" in the TV Pilot MILES.
Thursday, July 17, 2014
Beau Willimon’s House of Cards
Screenwriter Beau Willimon, the creative force behind Netflix's House of Cards, a revolutionary show that has transformed Netflix into a TV network, talks about his groundbreaking work as creator and showrunner of the series and gives tips for writers who want to follow in his footsteps
by W. H. Bourne
“About three and a half years ago, I got a call from my agent saying David Fincher wanted to speak with me about House of Cards,” says writer and executive producer Beau Willimon. “I had heard of the BBC mini series, but I never watched it so I figured it was a pretty good excuse to take a look at it. As I watched it, I immediately fell in love with it, and I had numerous ideas about how to make it look contemporary, American and, most importantly, make it our own. I got on the phone with Fincher, and we talked about all sorts of ideas and our instincts aligned so we decided to team up and get to work. After that I spent almost a year working on the first episode, and when we had something that we were all pleased with, we got Kevin Spacey and Robin Wright on board. Then we went out and found a home for it which happened to be Netflix.”House of Cards has been a game changer for Netflix as well as a key influence on how original Internet programming is viewed. House of Cards is currently nominated for nine Primetime Emmy Awards including Outstanding Drama Series. In light of this, it’s fascinating to hear how the project came about. MORE...
Wednesday, July 2, 2014
Plot Construction Using Reverse Cause and Effect
Use this tool to discover what’s necessary, or central, to the spine of your story
by Jeffrey Kitchen
Reverse
Cause and Effect is a unique development tool that enables you to wade
into a complex mix of story material and pull it together into a tight
sequence of events. Cause and effect is a crucial part of good
screenwriting because Plot Point A should cause Plot Point B which
causes Plot Point C, and so on through to the ending. If each event
causes the next one, then your script has a crisp forward motion, with
no dead spots that can lose an audience. Used properly, this tool has
the power to consistently help turn your million dollar ideas into
salable screenplays. I’ll explain the tool, show how it works in Ben
Affleck’s Argo, and then structure and develop an original story so you can see it in action.The main skill in using Reverse Cause and Effect is to be able to distinguish that which caused an event from those events that merely came before it. Say that your sister calls you one morning and orders you to buy a lottery ticket because she had this incredible dream, and when you do so you win a boatload of money. Now any number of things might happen before you win the money—you lose your car keys, you buy some cigarettes, you get a parking ticket—but the cause of you winning is that your sister made you do it. MORE...
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